Tuesday 16 October 2012

CATHODE RAY OSCILLOSCOPE [FILM TECHNOLOGY]




Cathode ray oscilloscope
[Film Technology]  



Oscilloscope, electronic instrument that records changes in the voltage of an electric or electronic circuit by a trace of light on the face of a cathode ray tube (CRT). Oscilloscopes are widely used throughout industry and in scientific laboratories to test and adjust electronic equipment and to follow extremely rapid oscillations in electric voltages; the oscilloscope is capable of following changes that occur within several billionths of a second. Special converters attached to an oscilloscope can convert mechanical vibrations, sound waves, and other forms of oscillatory motion into electrical impulses that can be observed on the face of the CRT.






Friday 12 October 2012

CATCH LIGHT [FILM TECHNOLOGY]





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Catch light
[Film Technology]  


In portraiture lighting a camera light can be used to give light to the eyes, with small catch light.









CAST SHADOW [FILM TECHNOLOGY]



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Cast shadow 
[FILM TECHNOLOGY]  

Here a light beam is interrupted by an opaque body such as a window, foliage, decorative cut-out stencil. Any opaque subject can be used to create shadows in the beam of a hard light source,  including tree-branches, tracery, cut-out shapes, window frame, cookies. Cast shadows are most obvious.








Thursday 11 October 2012

CASTING DIRECTOR [FILM TECHNOLOGY]




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Casting director
[Film Technology]  

Who have an immense knowledge of available actors and their work.






CASTERED LAMP STAND [FILM TECHNOLOGY]



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Castered lamp stand
[Film Technology]  



Wheeled stand, used for support the bigger lamps usually having a wind up central column











CASSETTE [FILM TECHNOLOGY]



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Cassette
[Film Technology]  


Enclosed tape package containing one or two spools that allows automatic lacing of the path when loaded in to a cassette player.







CARRIER WAVE [FILM TECHNOLOGY]



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Carrier wave 
[Film Technology]  

Carrier Wave, radio waves that can be used to carry modulated signals. Programme signals (audio signal, video signal, etc.) are impressed on the carrier by frequency modulation (FM) or amplitude modulation (AM).  The carrier wave is usually kept at a fixed frequency by the transmitter and is detected in the receiver by a resonant circuit at the carrier frequency. A message is sent by changing the carrier wave's amplitude or its phase proportional to the desired transmission signal. If the amplitude is changed, amplitude modulation results, and a change of phase results in phase modulation, a form of frequency modulation.












CAR HEAD LAMP [FILM TECHNOLOGY]



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Car head lamp
[Film Technology]  



These are usually simulated with a stand lamp ( restricted by a barn door) turned across the scene. But not too rapidly, or the purpose of the effect will not be evident on the screen.










CARDIOID MICROPHONE [FILM TECHNOLOGY]




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Cardioid microphone
[Film Technology]  



So called because its sensitivity pattern is heart shaped, another name is uni-directional microphone. Microphone whose directivity pattern of microphone (polar diagram) is heart shaped, resulting in maximum sensitivity at the front and very low sensitivity at the rear.

Accessories   : mike mounting swivel bracket, `gun’ tube.  30mm and 130mm extension tubes. Foam an metal mesh wind shields.
Dimensions    : 147 mm long .18mm diameter. 

Weight            : 120gm. 

Finish              :  Matt. 

Some degree of directionality is introduced to produce a heart shaped response curve. These are widely used in TV studios because when pointed at an artist their ‘dead’ side of microphone can be directed more-or-less towards areas of noise in the studio. They are widely used in booms, and here `dead’ side is primarily of value of rejecting studio reverberation. So that for a given sound perspective, the microphone can be used farther from the performer than an omni-directional microphone could be.








CARBON TRIMS [FILM TECHNOLOGY]



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Carbon trims 
[Film Technology]  


The gaseous arc are itself is drawn between two cerium-cored white-flame carbon rods or trims. These continually burn away, the motor driven feed rotating the positive pole to sustain a symmetrical crater. Burning life is limited to about 90 minuets. Carbon trims burn at colour temperatures from around 6000-3350 K, depending on their core material; corrective colour filters being used to adjust or match their light as required.









CARBON MICROPHONE [FILM TECHNOLOGY]




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Carbon microphone 
[Film Technology]  

Other name of resistance microphone. The simplest type of modern microphone is the carbon microphone, used in telephones. This microphone consists of a metallic cup filled with carbon granules; a movable metallic diaphragm mounted in contact with the granules covers the open end of the cup. Wires attached to the cup and diaphragm are connected to an electrical circuit so that a current flows through the carbon granules. Sound waves vibrate the diaphragm, varying the pressure on the carbon granules. The electrical resistance of the carbon granules changes with the varying pressure, causing the current in the circuit to change according to the vibrations of the diaphragm. The varying current may either actuate a nearby telephone receiver or may be amplified and transmitted to a distant receiver. If the current variation is suitably amplified, it may also be used to modulate a radio transmitter.


















CARBON ARC [FILM TECHNOLOGY]





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Carbon arc 
[Film Technology]  

A luminant created by a gaseous discharge between two cerium-cored carbon rods. These carbon trims burn for a limited duration (e.g. 45 to  90 minutes) where arc lamp produce high intensity light of excellent colour quality and sharpness, they require skilled operation and maintenance to achieve these properties, and to sustain an even, constant light out-put. Mainly used as high intensity light sources for large-area or exterior lighting. Available in 225 amp (brute) down to smaller fresnel spot and follow spotlight versions (65amp) 6000/335 0k, 1/2-1 hour burning time. Carbon arcs are low voltage, high current sources developed in motion picture studios to provide high intensity light of excellent colour quality. The arc being a very concentrated point source, produce very sharp, crisp illumination with enhanced modeling lighting, texture, textural lighting and shadow formation ; with the advent of other powerful, more compact, and less demanding light sources, the use of carbon arcs has lasted in both film studio and  television studios. Arc lamps require a DC supply (usually 115v). The gaseous arc itself is drawn between two cerium-cored white-flame carbon rods or trims. These continually burn away, the motor driven feed rotating the positive pole to sustain a symmetrical crater. Burning life is limited to about 90 minutes, plus the need for cool-down time before redimming. Carbon trims burn at colour temperatures from around 6000-3350 K, depending on their core material; corrective colour filters being used to adjust or match their light as required. A luminent created by a gaseous discharge between two cerium-cored carbon rods. The trims [Carbon trims]burn for a limited duration  ( e.g. 45 to 90 minuets) while arc lamps produce high intensity light of excellent colour quality and sharpness, they require skilled operation and maintenance to achieve these properties, and to sustain an even, constant light out-put.